Essay Beowulf The Ideal Anglo-Saxon Hero - 858 Words

Originating in the Anglo-Saxon period, the epic poem Beowulf portrays a legendary hero. Beowulf established the earlier form of heroism, and was then later introduced in to the English culture. Praised and admired by many people, Beowulf possesses several distinct traits that allow him to be defined perfectly as an ideal Anglo-Saxon hero; his eagerness to seek glory and fame, rather than richness and treasures, his loyalty and graceful attitude not only to his rulers but also to his followers, and his contradictory beliefs of faith and fate In the Anglo-Saxon society, an ideal hero does not seek riches of gold and treasures; instead, he seeks fame and glory through his accomplishments. To ensure immortality and spread his name across†¦show more content†¦Moreover, he also signifies his loyalty to his uncle, which is another heroic trait he owns that defines heroism. The other leading heroic trait that Beowulf possesses is loyalty. The Anglo-Saxon warriors believe in the idea of comitatus, which are the faithful and unbreakable bonds between his king and his warriors. Throughout the story, Beowulf had shown devotions to both his leader and his followers. As mentioned earlier, Beowulf easily passed all the treasure to his uncle noting that â€Å"since every benefit I have ever received I owe to you, my closest and kindest kinsman on earth. (Chapter 31).He shows great gratitude to his king by presenting all of his treasures that he had gained. He was then portrayed to be â€Å"loyal and true and loved him dearly ,† (Chapter 31). Additionally, not only he is committed to his rulers, Beowulf is also loyal to his followers. As described by Wiglaf, one of his most faithful men, â€Å"Our ancient king often gave us---heroes while in hall!---helmets and mailcoats, the finest treasures he could find for his men anywhere on earth, armor like the brilliant well-wrought war-gear you areShow MoreRelatedAnalysis Of Beowulf As A Heroic Epic779 Words   |  4 Pagesâ€Å"A hero is somebody who voluntarily walks into the unknown†. Stories about such heroes have been told for centuries. In fact, heroistic ideals are sometimes the basis of a society. The Anglo-Saxon people are a prime example of the previous statement. In Anglo-Saxon culture, being called a hero was an honor. Heroes were treated like kings. One of the most popular hero stories that bled into Anglo-Saxon life was the heroic epic of Beowulf. Beowulf was the perfect example of an Anglo-Saxon hero as heRead More Epic of Beowulf E ssay1033 Words   |  5 Pages The epic poem, Beowulf, is one of the oldest European epics in existence. When Beowulf was written, the writer incorporated many of the ideals of the Anglo-Saxons. Some of these ideals included loyalty, bravery, selflessness, and justice and were demonstrated in the hero. Both the characters Beowulf and Grendel represent aspects of both good and evil, Christianity and Paganism, and what occurs when they collide with one another. A characteristic of an epic poem is the concern over struggles thatRead MoreQualities of an Ideal Anglo-Saxon Warrior Illustrated in Beowulf638 Words   |  3 PagesAn Anglo Saxon epic poem, Beowulf, which was originally passed down through an oral tradition during the 5th century was written into literacy by an unknown Christian monk during the 10th century. This classic poem explicitly illustrates an ideal Anglo Saxon hero of possessing the characteristics that many people during that time regarded highly. Beowulf is an e pitome of an Anglo Saxon ideal hero who possesses loyalty to both of his people and king, desires to gain glory and fame for his own recognitionRead MoreThe Epic Of Beowulf By William Shakespeare977 Words   |  4 Pagesthat are noble to them. Beowulf, as an epic hero, is a direct representation of the ideal man as seen through Anglo-Saxon eyes. In looking at the poem Beowulf and analyzing the characteristics of the epic hero, it will become evident the desired attributes that were desired in the Anglo-Saxon culture: physical strength, pride, bravery, selflessness, and loyalty. An epic hero is a person that is admired for great achievements and inspires great events. Beowulf certainly fits into both ofRead MoreThe Themes Of Heroism In The Wander By Anglo-Saxon830 Words   |  4 PagesTo start of I selected Beowulf by Anglo-Saxon, the second text I chose was The Wander by Anglo-Saxon. The theme of Beowulf is heroism. Beowulf himself represents the heroic ideal because of his features, strength, and courage, but also because of his intelligence and honor. Beowulf is proud of his strength and great his honor. When Beowulf goes to Heorot, waiting for Grendel, he refuses to keep a weapon. He believes in himself that he can defeat the monster who has devoured many men without usingRead More Reflections of a Culture Past Essay654 Words   |  3 PagesReflections of a Culture Past The poem, Beowulf was supposedly written in the tenth century, but it was most likely told before then, orally, for centuries. There is little information about the author, on when Beowulf was first created or about the original version of the story before it was written. However the poem does, however, give us great insight into the cultural views and ideals of the Anglo-Saxon people who would have composed and told this tale. This includes their political, socialRead MoreBeowulf: An Analysis1615 Words   |  7 Pages11/26/10 Beowulf Anglo Saxons are Germanic people that lived during the 5th and 6th centuries. This early Anglo-Saxon society was centered on families and clans. The earliest Saxon settlers and families in England were pagans who worshipped a number of gods. Although Anglo Saxons had unalterable beliefs, Christians eventually purveyed their religion upon the pagans. However, the ideals of paganism still perpetuate through the most prominent epic poem of this era called Beowulf. Beowulf embodiesRead MoreTheme Of Heroism In Beowulf740 Words   |  3 PagesThe theme of Beowulf is heroism. Beowulf himself represents the heroic ideal because of his features, strength, and courage, but also because of his intelligence and honor. Beowulf is proud of his strength and great his honor. When Beowulf goes to Heorot, waiting for Grendel, he refuses to keep a weapon. He believes in himself that he can defeat the monster who has devoured many men without using any weapons. It turns out that Beowulfs intellig ent approach was right. Glory is also one of the themesRead MoreVirtues Of The Anglo Saxons1054 Words   |  5 Pages Virtues in the Anglo Saxons In the 8th century, an epic poem of Beowulf written by an anonymous author embodies the ideal characteristics of Anglo Saxons. During the time of Anglo Saxons, Beowulf is used to convey similar qualities such as virtues, belief and traits in which the character of B Beowulf possess. For example, Beowulf exhibits Bravery, Loyalty, and strength. Beowulf’s action symbolizes him as the epitome of a â€Å"True Hero† because he demonstratesRead MoreBeowulf : An Anglo Saxon Hero1825 Words   |  8 PagesBeowulf: An Anglo-Saxon Hero The Anglo-Saxons’ cultures and traditions are rooted in their beliefs of the perfect hero. Their ideal hero has many key characteristics influenced by their culture including courage, strength, bravery, thick skin, loyalty, humbleness, and the ability to create strong trustworthy friendships. Beowulf is an epic poem that exhibits the ideal Anglo-Saxon hero. The Anglo-Saxon traditions illustrated in Beowulf accurately represent the Anglo-Saxon traditions of the time period

The Impact of Technology on Music in the 20th Century Free Essays

string(37) " money being spent on entertainment\." Matthew Hugenschmidt LBST 3020-090 Final Paper For centuries man has sought pleasure through music and visual arts. Until the last 100 years or so that required someone to go see a live performance, either locally or possibly to a larger metropolis with concert halls and theaters. The technological advances experienced in the last century have allowed the pairing of the audio and visual media for the masses, and have let them spread much farther than their local roots and changed their influence on society. We will write a custom essay sample on The Impact of Technology on Music in the 20th Century or any similar topic only for you Order Now Though essentially performing the same function, they have gone from merely allowing an escape from everyday life for very limited audiences to affecting American society’s values, view of its own culture, and consumerism. With the advent of the gramophone in 1901 people were able to listen to music inside their own homes, as well as were able to easily transport music from one area to another. (Savage 115) It was these earliest recordings brought with the American troops, or doughboys, in WWI that brought jazz, blues, and other American musical styles to Europe. These recordings would heavily influence the shape of the European musical landscape after the war, and also increase the overseas demand for American culture and style. The music and associated dances were completely new to Europeans, and combined with the care free attitude of the Americans it showed what was seen as a hopeful way of life that had all but been forgotten in the war ravaged continent. This craving for American culture would have a large effect on the coming European generations, and would help steer the musical course for the bands that started the British Invasion. Almost simultaneously, nickelodeons started to become popular in urban areas of the United States. Named after their admission price, a nickel, these places showed short motion pictures and were usually located in working class districts. (essortment. com) Since the movies of the time were silent, the theaters usually had a piano or organ to provide music for the film. This was the first time there was a mass media distribution that included both audio and visual components, though the music played varied a bit from theater to theater. As movie technology improved nickelodeons soon ecame out of date, but they laid the ground work for audio and visual pairings in mass media. The rise of national radio broadcasts in the United States would play a huge part in the spread of music around the country. When the national broadcasts went to clear channel, it signaled the rise of weekly radio shows that became standard nationwide. Because of the limited variety of programming at the time, the se programs had a very large audience base. One of these radio shows was Ozzie and Harriet, a family oriented radio show that was based on Ozzie and Harriet Nelson’s family. The show was quite popular on the radio since it portrayed the everyday stereotypical white suburban family. The major leap came when television became the new medium of choice. In 1957 Ozzie and Harriet moved from radio to television, and by this point their son Ricky had also become an integral part of the show. This was during the very beginnings of Rock Roll, and Ozzie saw an opportunity to cross market his son as both an actor and a singer. At the time the genre was represented primarily by figures like Elvis and Chuck Berry who were by considered risque by the elder suburban white population. Ricky Nelson was marketed as a wholesome alternative singing the same style of music, thereby appealing to both the youth and their parents. This was a major step in defining stars in pop culture since it cemented that the performers image could be more important than their musical ability and gave rise to the teen idol culture. Concurrently, since the national broadcasters had begun to focus on television, the local radio stations no longer had time occupied retransmitting the major station broadcasts. Because of this they found it necessary to diversify their offerings to fill the time slots. This allowed them to cater more to their local audience and what they wanted to hear. This heralded the rise of the disc jockey, and because the radio signals reached beyond the immediate locale it broadened the fan base for many musical styles. Programs like Red Hot and Blue in Memphis started playing some more alternative styles, and when it was realized that there was a large demand for this music they became important for the stations and their advertisers. (Miller 35) These shows would play what they pitched as new and â€Å"hot† tracks, thereby pushing their listeners in the directions they wanted. The person that would take this to the next step was Dick Clark with American Bandstand. He very successfully took what these radio shows were doing and applied it to national television. By carefully selecting the performing artists and the kids dancing to the music, he cultivated a very tame and innocent atmosphere for the show. This was integral in changing the image of Rock Roll and its perception by the older generation, and though there had been variety shows for a good number of years, it was the first television show to completely focus on music and giving it a visual component. American Bandstand would go on to be one of the longest running series in television history. Also in the mid-1950s movie industry was becoming more popular than it had ever been, and this was due largely to the trickle down of the post World War II economic boom. Many teens had part time jobs doing things like delivering papers or running errands, and others were given an allowance by their parents. Because they had no bills to pay, all of the income for this demographic was disposable income. This led to almost all of their money being spent on entertainment. You read "The Impact of Technology on Music in the 20th Century" in category "Papers" This started in the early 1900s with the nickelodeons, and then progressed as the movie industry expanded and technology progressed to allow longer films and include audio. When the movie Blackboard Jungle was released in 1955 it brought out a very interesting revelation. The Bill Haley and His Comets’ song â€Å"(We’re Gonna) Rock Around the Clock† was played over the opening credits, and though it had been released the year before it had not fared well at all on the charts. As soon as it was featured in the movie it immediately shot to the top of the charts, where it remained for eight weeks. Covach 78) Alan Freed, a New York City DJ, immediately saw an opportunity and began making movies such as Rock Around the Clock, Rock Rock Rock, and Mr. Rock and Roll. These movies had very little in the way of plot or story line, but focused on promoting some of the hottest musical acts of the time, including Chuck Berry and Little Richard. They also served to further the career of several new artists such as Frankie Lymon and the Teenagers. (Covach 84) This would mark the beginning of cross marketing musical stars into movies. The person who is most responsible for the cross genre bridge between music and visual media was Elvis. His start was a humble one, beginning with him paying for his own recording at Sun Records. Sam Phillips thought the he heard something special and signed him. For the first year and a half that after his first Sun recordings, Elvis was primarily known in the south and was relegated to the country charts. It wasn’t until Phillips sold his contract to RCA that Elvis began getting television appearances, starting with Stage Show. Covach 85) The show had poor ratings, but within week of his start there he had become a national phenomenon. This led to his appearances on the Milton Berle show, the Steve Allen show, and culminating in the Ed Sullivan show. With his good looks, sex appeal, and exciting performance style, his television performances rapidly cast him onto the national stage. (Covach 84) This meteoric rise would forever cement the link between image and popularity, an d also add to the â€Å"rags to riches† dream which has always been prevalent in lower and middle class households. Once Freed’s movies started coming out and doing well, RCA was quick to pitch their new star as an actor as well, though more as a feature with hip music in it rather than a sort of American Bandstand movie. The movies Elvis did, such as Jailhouse Rock, fared decently well at the box office, and usually had a single by the same name released concurrently, which in turn became a hit. The companies behind the scenes had realized that by doing this they could have their star produce multiple revenue streams for them. This would lead to a slew of movies following the same formula, especially beach movies with surf music. These movies would prove to be very influential to the images of bands and individual singers for years to come. The next level of combining visual arts and music came in the form of marketing for a band, manifested as The Beatles’ A Hard Day’s Night. This movie departed from the Elvis style fictional motion picture that just included songs by the featured artists, which were pretty much standard at the time. Rather, this film portrayed The Beatles roughly as their lives actually were. Though exaggerated, they used The Beatles playing themselves showing their daily lives. The use of irony and satire were prevalent throughout the movie, which makes it an entertaining comedy. Even so, the viewer gets the sense that they are connected to the band and has gotten to know them on a personal level, and they could easily be someone down the street. One of the common themes throughout the film is the manager’s futile attempts at controlling the band members. Whenever he tells the band they need to do something like reply to fan mail or stay in the dressing room the first thing that is done is the opposite. Though the band members are always going against what they are being told to do, they always come through to fulfill their responsibilities, usually at the last possible moment. This appealed to both the youth who appreciated the free spiritedness The Beatles exhibited as well as the adults who cared about the example it set of fulfilling responsibility, thereby successfully cross marketing the band to both demographics. All of these events were heavily intertwined with the boom in consumerism in the 1950s and 60s. In an era of excess, the image of success is what was being sold. The idea of the suburban house with two cars and modern amenities was what the older generation who still remembered the depression was being pushed towards. With the surplus of disposable income in the post WWII economic boom, Americans began replacing items rather than fixing them, which let almost all products to be disposable. This attitude carried over to entertainment as well. Because of the short attention span of the general public it was no longer enough to just make good music. The image of the artist and how they were marketed became in some cases more important than the music itself. Rock Roll was integral in the shift of America’s values in 1950s to 1960s towards the liberal side, starting with the youth. The music and the image it portrayed meant different things to different people, usually split by generation, but the successful visual marketing done by some key players helped change the image and soften the transition to allow the older generation to become more receptive to the cultural changes. The liberalization of music and image that started in the 60s would grow by leaps and bounds in the 70s. Artists began to take the alter ego route started by the Beatles with Sgt Pepper’s Lonely Hearts Club Band and stepped it up a notch. One of the most notable examples of this was Alice Cooper. Alice Cooper’s lead singer, Vincent Furnier, had noticed that most rock stars of the day were portrayed as heroes, but there were few rock villains. He created the persona of Alice Cooper as such a villain and also dressed in tattered women’s clothes to add more social controversy. The biggest break and controversy that really launched the band was the infamous â€Å"Chicken Incident†, where at a show a chicken somehow made its way on stage. Thinking chickens could fly Alice Cooper threw the chicken into the air above the audience thinking it would fly away. Unfortunately, the chicken fell into the audience where it was torn apart. This turned into a story of him biting the head off the chicken and drinking its blood, which made national headlines. As had been learned with Elvis, the only bad press is no press, and this rang true for Alice Cooper as well. Following this, their performances were known for being â€Å"dangerous, dark, and irreverent. † (Covach 344) These shows usually ended with some sort of gruesome death for Alice, frequently beheading or electric chair. This goes to show how important and image and show could be to the career of a band. The next major development in visual and music pairing was MTV. This would go on to change the course of pop music and culture from its inception in 1981 all the way through the present day. MTV was modeled after Top 40 radio, focusing on the most popular artists at the time. In the early days they found that their most successful market was mainly the Midwest, so they focused on playing the mainstream rock artists that were usually white as well. At the same time most videos were shot on shoestring budgets since labels weren’t convinced that music videos would pay off in additional sales. (Covach 451) The view of music videos would change with Michael Jackson. In 1983 â€Å"Billie Jean† was rising in the pop charts, but MTV refused to play the video, presumably because it was thought it wouldn’t appeal to their target audience. After a great deal of pressure from Jackson’s label MTV conceded, and the video became very successful. This brought a significant rise in popularity to both the network and artist, and that in turn showed the labels the importance of music videos. After that, videos were major undertakings with major label backing and significant repercussions. It was found that even if the music wasn’t good, if the artist looked good in the video then they could be successful. This really is a continuation of the teen idol phase of the late 1950s, just taken to the next level and across a broader range of styles, which still continues today. Though MTV had become more popular and mainstream, it also had the double edged effect of negative media attention for the content of the videos it played. Applying images to music that was said to be â€Å"a help to the devil† (Gilmore 263) would bring further scrutiny to the content of the music itself. Though rap music was already under attack from the media and PMRC (Parents Music Resource Commission), videos like that of N. W. A. would further widen the gap. The most important technological advancement of the last 20 years or so is the development of the internet. This one creation has done more to connect the globe and share information than anything else in the history of man. The amount of information that is readily available o anyone with an internet connection is almost incomprehensible. This sharing of information has also had a drastic effect on the music industry and artists. According to Brian Hiatt and Evan Serpick â€Å"the Internet appears to be the most consequential technology shift for selling music since the 1920s. † (Hiatt Serpick) Because of the internet, anyone with a microphone or video camera an d internet access can publish their music. With the advent of some computer programs like Pro-Tools there isn’t even a need for musicianship. This has greatly changed the landscape for artists and how music is viewed socially. Until an artist becomes successful enough for corporations to heavily invest in, the responsibility for creating an image and fan base has largely moved from the label to the artists themselves. No longer does the label sign a band, make a record, and then produce a formulaic video to try to garner interest. Take Arctic Monkeys for example. Their debut album â€Å"Whatever people Say I Am, That’s What I’m Not† released in 2006 became the fastest selling debut album in British music history. (NME) They did this by recording early demos and giving them away on burned CDs at shows. In the digital age, these songs were immediately shared on the internet as well by their fans, which greatly broadened their popularity. Once their popularity was recognized, they were signed and had a huge debut album. This shows the shift in landscape and how the sharing of information and files on the internet can impact such a major industry. Works Cited Covach, John. What’s That Sound? An Introduction to Rock and Its History. New York: W. W. Norton ; Company, 2009. Essortment. com. The Nickelodeon’s History. ; http://www. essortment. com/nickelodeons-history-21268. html;. Gilmore, Mikal. Night Beat: a Shadow History of Rock ; Roll. New York: Anchor Books, 1998. Hiatt, Brian and Evan Serpick. â€Å"The Record Industry’s Decline†. Rolling Stone 19 June 2007: n. pag. Web. Miller, James. Flowers In the Dustbin: The Rise of Rock n’ Roll 1947-1977. New York: Fireside, 1999. NME. com. â€Å"Susan Boyle beats Leona Lewis, Arctic Monkeys to ‘biggest first week sales for UK debut album’ title†. http://www. nme. com/news/various-artists/48619 Samuels, David. Only Love Can Break Your Heart. New York: W. W. Norton Company, 2008. Savage, Jon. Teenage: the prehistory of youth culture: 1875-1945. New York: Penguin Books, 2007. How to cite The Impact of Technology on Music in the 20th Century, Essays

Media Portrayal of Stereo Types free essay sample

Most rappers are black people and the way the media orators them causes people of others races to look at them in a negative manner. To carry on the country singer example, most people look at country singers in a positive manner. The rap music that blasts from the stereo causes stereotypes, maybe that where that word originated from. When a jury member enters the court room those stereotypes are embedded in there subconscious. They may sneak and watch the news or talk to people about the rapper their judging.The usual senior is the prosecutors play the rappers USIA and videos in court, the jurors hear the music and automatically deliberate a guilty verdict based off the rappers violent lyrics. Most rappers have a vivid imagination that should be taken into account but usually that is not the case. The Media caused the death of two famous rappers Tuba Shaker and Biggie Smalls by sensationalistic a fall out between the two rappers. We will write a custom essay sample on Media Portrayal of Stereo Types or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Mr.. Shaker was a complex and sometimes contradictory figure, with a career featuring million-selling albums, gunshot wounds and run-ins with the police.He was an intelligent, vivid writer who had studied acting at the High School of Performing Arts in Baltimore; he was an accomplished rapper with a husky baritone and crisp enunciation. He was also a convicted sex offender, and the words Thug Life and Outlaw were tattooed on his body. Its really unfortunate that the violent perception that the world has of that young man may be exacerbated by the way he died: art is being confused with real life, Mr.. Shakers lawyer, Shawn S. Chapman, said yesterday in Los Angels.There was this wonderful, charming, bright, talented, funny person that no one is going to get to know; they are just going to know this other side. Hopefully, this will have some positive effect on people the gang members who are shooting each other. Although some may say that Tuba laid down in the bed he made, it is always unfortunate when someone with talent dies at such a young age, regardless of circumstances, hopefully the reaction to what has happened will dampen enthusiasm for violence among those who looked up to him, rather than promote it.